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1.3 Synthesis

1.3 Synthesis · Additive

Additive Synth Explorer

Every rich sound is simple tones stacked up. Pick one, watch it get built, hear it.

Watch it build

Every harmonic is its own spinning circle

Each harmonic keeps its own colour — here as a spinning circle, and in the spectrum below as a matching bar. Stack the circles and the last point traces out the wave across the screen.

Same note every time — only the timbre changes.

Pick a sound

PureOne clean tone — just the base note, nothing stacked on top. The simplest sound there is.

The harmonics inside

Each bar is one harmonic's strength — the same colour as its circle above. This bar-code is the timbre; a DAW's spectrum analyser shows you the same thing for any recording.

Build your own — nudge the eight harmonics

H1(base)220 Hz
100%
H2440 Hz
0%
H3660 Hz
0%
H4880 Hz
0%
H51100 Hz
0%
H61320 Hz
0%
H71540 Hz
0%
H81760 Hz
0%

Why this matters for the exam

  • 1.3 Synthesis — additiveThis whole page is additive synthesis: build a rich timbre by stacking simple tones above the base note, one slider per harmonic.
  • 1.11 EQEvery EQ move — cut, boost, shelf — changes the height of certain bars on this spectrum. Brighter means taller bars on the right; warmer means shorter ones.
  • The spectrum analyserEvery DAW has one. Point it at any recording and it shows this same bar-chart of what is in the sound — the picture you are building here, read the other way round.

The other way round. Here you build a sound up from nothing. A subtractive synth starts with a waveform that already has all of these harmonics in it, and takes them away with a filter.

Subtractive Synth Explorer →

What you learned

  • Understand additive synthesis as simple tones stacked above a base note
  • Connect a sound's timbre to the pattern of harmonics inside it
  • Recognise why a hollow sound keeps only its odd harmonics
  • Read a spectrum display of the kind every DAW provides
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