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1.10 Stereo
Topics 1.10, 1.2 ยท Component 4

Stereo & Panning

๐ŸŽต Real-World Examples

The Beatles โ€” โ€œA Day in the Lifeโ€

Early stereo experimentation with extreme panning โ€” instruments hard left or right with little centre content, showcasing 1960s stereo mixing conventions.

Pink Floyd โ€” โ€œMoneyโ€

Creative stereo movement and automation โ€” sounds pan across the stereo field dynamically, demonstrating how spatial effects can serve the musical arrangement.

Billie Eilish โ€” โ€œEverything I Wantedโ€

An intimate, narrow stereo field keeps the vocal close and centred, using subtle width for atmosphere whilst maintaining a modern, focused mix.

Fleetwood Mac โ€” โ€œDreamsโ€

Classic rock stereo drum panning with overheads spread wide, hi-hat and ride placed off-centre, and kick/snare anchored in the middle.

What you learned

  • โœ“Understand how panning positions sound sources in the stereo field
  • โœ“Compare stereo recording techniques (spaced pair, coincident pair, mid-side)
  • โœ“Explain the relationship between pan law and perceived loudness
  • โœ“Describe mono compatibility considerations in stereo mixes
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